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Memorial Keepers(1)
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Alice Schnelligkeit
S. R. Janakiraman
July 12th, 1928 - October 4th, 2026
July 12th, 1928 - October 4th, 2026
A musicologist must also be a musician.
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Tributes
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Ranjani and Gayatri
We remember his emotion-laden singing, especially an unforgettable moment when he rendered Mokshamu galada, eyes brimming with tears, heart pouring into every note. That image remains etched in our minds as the very embodiment of innocence and bhakti, showing us how pure feeling can transform music.
Sriram Parasuram
A traditionalist and purist to the core, yet the most inquiring and innovative musical mind.
Jayakrishnan Unni
He would suddenly start singing swaras in a raga for 30 to 40 minutes at a stretch. Inspiring anecdotes and references accompanied every single composition he taught. He has tuned several Annamacharya kritis and would reverentially and emotionally remember Rallapalli Ananthakrishna Sharma, who had done extensive research on Annamacharya kritis.
V.P. Dhananjayan
He was a walking encyclopedia on Carnatic sangeetham and a musician's guide all through his life. I had the privilege of interacting with him, apart from being his junior contemporary at Kalakshetra. His vision problems never diminished his enthusiasm for sharing his vast knowledge with seekers across the world. He continued to teach students online until his very last days. The best way to celebrate SRJ is to emulate the generosity with which he shared his vidwat with generations of learners.
P.S. Narayanaswamy
He was a paripoorna vidwan blessed by god, a musician's musician.
P. Unnikrishnan
He would often render the ragas in the style of the maestro. His ideas of ragas were unique, and he developed his own patanthara. His svaraprastara patterns had a distinctive mathematical combination, effective and comfortable to follow.
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